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This original compilation presents chilling tales of terror by an unjustly neglected author. Inspired by the works of Edgar Allan Poe as well as his own vivid nightmares, Edward Lucas White (1866–1934) weaves a tapestry of weird stories populated by ghouls, monsters, a witch doctor, and creatures of ancient myths.
The collection features White's most famous story, "Lukundoo," a gripping fable of an American explorer who incurs the wrath of an African sorcerer. Other tales include "Sorcery Island," an uncanny foreshadowing of television's The Prisoner, "The Flambeau Bracket," "The House of the Nightmare," "The Song of the Sirens," and five other stories. Additional selections include the haunting poems "Azrael" and "The Ghoula" and an essay in which the author reflects on the influence of dreams in his fiction. Editor S. T. Joshi provides an informative Introduction to White's life and work.

• Sales Rank: #1009939 in Books
• Published on: 2016-04-20
• Released on: 2016-04-20
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x .60" w x 5.40" l, .50 pounds
• Binding: Paperback
• 240 pages

About the Author
Edward Lucas White (1866–1934), who�taught high school�for many years�in Baltimore,�was better�known in his lifetime for his�historical novels. Today he is remembered for his short fiction, particulary the fantasy works and tales of supernatural horror that were inspired by his recurrent nightmares.
S. T. Joshi is a literary critic, novelist, and a leading figure in the study of H. P. Lovecraft and other authors of weird and fantastic fiction.

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0 of 0 people found the following review helpful.
Sleep no more
By Philip Challinor
Apart from the famous "Lukundoo", which treats of the grotesque curse visited on a European explorer by an African witch doctor, this fine collection includes "Amina", a ghoulish encounter which builds up a fine sense of unease on the way to a grotesque climax; "The Flambeau Bracket", a swashbuckling variation on Poe; and "Sorcery Island" where the combination of flawless hospitality and growing threat reminded me a little of Robert Aickman's "The Hospice". Also enjoyable is "The Song of the Sirens", which holds the attention admirably through a slow and detailed build-up. "The Snout" and "The Pigskin Belt" are constructed with similar care, but both are let down by their endings: the former too implausible, the latter too sentimental. Besides the stories, two poems and S T Joshi's typically informative introduction, the book also includeis a couple of brief but intriguing notes by White about finding his inspiration in nightmares. While he obviously cannot have enjoyed the experience (and never even made much in the way of money or reputation from the stories), anyone who has to work out their fictions while still awake must certainly envy him his subconscious.

0 of 0 people found the following review helpful.
This was the first I ever heard of Edward Lucas White
By Irene
I had never heard of Edward Lucas White which I suppose is not surprising considering he lived a century ago. The description intrigued me, since as a child I watched those old Vincent Price movies that were based on stories by Edgar Allen Poe and then later read everything by him that I could find in the library. I did enjoy these stories though you must keep in mind that people spoke (and wrote) differently all those years ago. I especially loved the first story Nightmare House about a man who seeks shelter in a run down house after an accident. The Message On The Slate was also very good, about a woman unhappy in her marriage who seeks advice from a clairvoyant who is a self proclaimed charlatan. I loved Lukundoo which concerned a curse. It gave me chills. In The Pig-skin belt a circus comes to town, as does a man with some strange and mysterious habits. My absolute favorite was The Picture Puzzle, in which a man and his wife find solace and perhaps something more when they occupy their time with puzzles after their daughter is kidnapped. I also loved The Ghoula, a poem about a female ghoul.
All in all well worth a read. 4 out of 5 stars from me.

I received an advance copy for review.

0 of 1 people found the following review helpful.
5/5 This is a new author to me and the first few stories did not endear him to me but by the time I'd finished I realised I'd en
By Nicola Mansfield
3.5/5 This is a new author to me and the first few stories did not endear him to me but by the time I'd finished I realised I'd enjoyed more than not and all together they averaged out to a good 3.5/5 rating. He is quite wordy with his descriptions and that is where I thought his downfall was as a suspense writer as it was hard to keep the reader's attention when being bombarded with needless minutia. He did manage to make this work to the stories advantage in some circumstances. After reading the Introduction and end matter I am more interested in finding out more about the author himself than actually reading his other work. His stories were based on his dreams as he was a vivid dreamer. I am also, and can relate to an instance he tells in the afterword of waking from a nightmare and then going back to sleep to finish it!

Introduction - The book starts with an Introduction to the author giving a brief biography, an introduction to his works and discussing his forgotten status in the literary world. Never known for his weird tales, it is they that he is now best remembered. The editor then explains where the stories in this book came from and how he curated them. Not exactly an exciting intro. but since I've never heard of this author before it does a well enough job to introducing me to what I will be reading. All the stories gathered here were written between 1905 and 1909.

1. The House of the Nightmare - A man is cruising in his "machine" and crashes in front of an old house. He meets a boy and spends the night in the supposedly haunted house. It's predictable from the beginning what the shock is going to be so quite a tame story. Pleasant enough reading though I found the writing quite wordy with unnecessary detail. Not an impressive introduction to the author. (3/5)

2. The Flambeau Bracelet - A man gives an accounting of himself after being accused of murder. It's a story from his youth, the justified reason for a duel, with a surprise ending. Very long-winded! (2.5/5)

3. Amina - Finally one that had me going. Taking place in Persia. This starts at the end with the aftermath and some child 'creatures' having been destroyed. Then goes back and tells the tale, how events came to pass and what the creatures actually were. I'm getting used to the author's meandering writing that takes time to get to the point. It works in this story. (4/5)

4. The Message on the Slate - A very long story and the best one so far. A woman goes to see a clairvoyant who confesses to her that he is a fraud; however a dream has brought her to him and he has seen her before in a vision. She wants to open the grave of her husband's dead first wife with whom he is still in love. I liked the writing, this time, it flowed smoothly. He's a wordsmith for sure but the words each had purpose this time. A spooky, atmospheric story. A good ending, but I did figure it out so not exactly shocking. (5/5)

5. Lukundoo - This is definitely a weird tale! Set in Africa, British explorers find a famous one of their ranks is in a nearby village sick and delirious with protuberances all over his body. With a doctor among them, they rush to his aid. They find him near death with an illness nothing medicine can relate too. Pretty gruesome if one uses their imagination to picture the scenes described but also a few parts have derogatory descriptions of African physical features. Another good story, though. (4/5)

6. The Pigskin Belt - Another long tale separated into sections. Starts off quite tedious and as I'm used with this author by now, wordy. Way too much detail goes into the description of building a house for example. Anyway, the first half has the main character use the n-word a lot and the "negroes" all speak as if from a Mark Twain book so difficult to read the dialect. This aside, the Colonel is a liked character by all town members black or white. The story did become engaging in the middle when the author got on with the plot which was why the Colonel was so jumpy all the time, carried two holstered guns that shot silver bullets and had some other eccentric ways. I'm beginning to wonder if this was one of those authors paid by the word as this would have been a better story at half the length but nevertheless, the longer I read the more captivated I became with where it was leading to. (4/5)

7. The Song of the Sirens - Terribly tedious, this took me four days to read while not being any longer than the previous tale. A sailing tale of a story told aboard ship in which the title tells us who (or what) the sailors meet. Three-quarters of the story are spent in description mostly not pertinent to the plot, then near the end, the titular tale is told. Boring! (0/5)

8. The Picture Puzzle - Finally a good story that I really quite enjoyed. It's actually a happy ending but has a paranormal element and the story flows well from beginning to end. The story of a miserable couple whose four-year-old daughter has been kidnapped. The only problem (and a big one when read in the 21st century) is that the story's logic is marred by prejudice, being attributed to "ignorant", "stupid", "jabbering" immigrants. (4/5)

9. The Snout - Perhaps the longest story at this point and the best one. A man recounts an unusual tale. He and two other thieves had robbed a recluse billionaire's mansion and the story is a full description of everything they found inside the estate. White's penchant for excruciating detail is put to good use here as each room is described of its contents and the further they go into the mansion the more and more we know that the sole inhabitant (excluding his manservant) is abnormal. Right from the beginning I was trying to guess what it was that the man had seen and I started off wildly incorrect but gradually got closer to the truth as did the thieves as they neared the recluse's bedroom. But just what he/it was, even when revealed, is left mysterious. (5/5)

10. Sorcery Island - Another enjoyable story. This is indeed a "weird tale" but not scary or creepy. A man recounts how he crashed on an island where he met a man he went to school with. The man had made the island his personal private island complete with a small inhabited European village, an Asiatic village of servants and a wildlife preserve. The man describes how he manages to escape once he realises no one is there entirely of their own free will. (5/5)

11 & 12. Azrael & The Ghoula - Two macabre poems. I don't like poetry. No ratings.

13. Edward Lucas White on Dreams: "Preface" to The Song of the Sirens (extract) & "Afterword" to Lunkundoo and Other Stories (extract) - Interesting to get the author's perspective. I'm also a vivid dreamer so I can relate. No rating.

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Esta obra es un intento de utilizar nuestra raz�n para pensar en la posibilidad e, incluso, la factibilidad de una supervivencia de la consciencia individual despu�s de la muerte. Sin dioses, ni almas, ni mundos sobrenaturales. El mundo natural y estrictamente material que nos rodea nos muestra potencial suficiente como para que obtengamos una esperanza racional en una verdadera y personal inmortalidad de nuestra consciencia.

• Sales Rank: #2548061 in eBooks
• Published on: 2015-08-12
• Released on: 2015-08-12
• Format: Kindle eBook

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Los autores hacen un s�lido desarrollo fenomenol�gico para fundar su ...
By Pablo Diaz de Brito
Los autores hacen un s�lido desarrollo fenomenol�gico para fundar su tesis: que la muerte es vencida por la fuerza del ser, del "haber incausado" que nos llevar�a al disfrute de la vida tras la muerte. Pero yo me aboco a morir igual, queridos autores. Buena exposici�n de Husserl para no iniciados y novedosa manera de hacer filosof�a en tiempos de conformista jeringoza posestructuralista. Prosa limpia y clara, como debe ser.

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A popular, practical, and comprehensive text that approaches the diagnosis and evaluation of speech and language with a special focus on the relationship between clinician and client.

�

Diagnosis and Evaluation in Speech Pathology provides readers with a practical process approach to the diagnosis and evaluation of speech and language disorders.�Equally helpful to students in training and practicing clinicians alike, this engaging resource develops a rationale for each type of assessment, including both standardized and non-standardized approaches.�Each chapter highlights the most updated literature, clinical procedures and technological advances, while emphasizing diagnosis as an initial step in defining a communication disorder and �while focusing on evaluation as an ongoing assessment process to monitor progress on treatment goals. Organized by communication disorder, this text makes for a vital reference, while case examples and real-world vignettes help readers best understand clinical skills with interviewing, report writing, and multicultural issues in assessment.

• Sales Rank: #371808 in Books
• Brand: Allyn & Bacon
• Published on: 2011-03-16
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.20" w x 7.60" l, 1.92 pounds
• Binding: Hardcover
• 432 pages

From the Back Cover
As>Diagnosis and Evaluation in Speech Pathology uses a practical process approach to diagnosing and evaluating speech and language disorders, including a special focus on the interpersonal relationship between the clinician and client. Current and comprehensive, this text is ideal for students taking courses in speech pathology assessment as well as practitioners and clinicians who are struggling to stay in tune with the rapidly changing field of Speech-Language Pathology. The new edition includes balanced, expanded, and updated coverage of various topics including clinical interviewing, child language assessment, adolescent language assessment, articulation/phonology, motor speech disorders, swallowing difficulties, adult language impairment, voice disorders, fluency disorders, and multicultural issues.

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New To This Edition:

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�������� Expanded material on the concept of interviewing (Chapter 2) includes information on ethnographic interviewing and curriculum-based assessment that fosters sharper and ongoing clinical interaction skills in readers.

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�������� Expanded content on child language assessment and language disorders (Chapters 4&5) develops readers’ insights into child language and literacy, the most widespread communication disorder.

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�������� Added material discusses how to use assessment measures to monitor treatment progress, making the reader more aware of probe techniques, reevaluation resources, and continuous assessment as an integral part of the intervention process.

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�������� New resources to assess quality of life in adult clients allow the reader to become more in tune with how communication disorders impact the lives of clients and gives them assessment tools for disorders of voice, resonance, aphasia/dementia, and fluency.

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�������� New information on adult and childhood apraxia of speech (Chapter 9) helps the reader develop a contemporary understanding of an increasingly prevalent and perplexing disorder, as well as an evolving appreciation of adolescent and adult motor speech disorders caused by traumatic brain injury and stroke.

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�������� Major content and organizational changes to the chapter on fluency disorders (Chapter 7) provide the reader with a contemporary insight into developmental stuttering and other forms of disfluency, along with �the ability to assess and design intervention through analysis of fluent behaviors, speech naturalness, emotional aspects, and life impact.

�

�������� Completely updated references offer the reader a discussion of new research and findings in all topic areas included in the text.

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�������� New and revised figures and tables are incorporated throughout the text to make material more accessible and easier to retrieve.

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About the Author
William O. Haynes has been teaching courses in speech-language pathology at the university level for over thirty years and is currently a professor at Auburn University. Having written over fifty scientific articles and textbooks, Dr. Haynes is the author of "Communication Disorders in the Classroom" (Jones & Bartlett, 2006), "Diagnosis and Evaluation in Speech Pathology" (Allyn & Bacon, 2003) and "Communication Development" (Williams and Wilkins, 1998). Carole E. Johnson is a professorat Auburn University and has been teaching courses in audiology at the university level for almost twenty years. She has over 45 publications and has successfully written federal grants for many of her projects. Dr. Johnson is the author of "Handbook of Outcomes Measurement in Audiology" (Singular-Thomson, 2002) and "Guidebook for Support Programs in Aural Rehabilitation" (Singular-Thompson, 1999).

Most helpful customer reviews

8 of 8 people found the following review helpful.
Valuable resource
By Amazon Customer
I recommend this book. It has been an invaluable resource as a student in speech language pathology. Covers the basics in a very clear and concise manner.

3 of 3 people found the following review helpful.
Sweet Jesus this book awful!!!
By meh
I NEVER write reviews for text books, and my mom always told that if I don't have anything nice to say, not to say anything at all. But this one has truly inspired me.

It lacks a terminology section in the index, and makes no effort to highlight key terms throughout the book. It's all but useless in it's capacity to serve as a reference. The layout isn't all that great. I feel like, as a diagnostic text, it could have done a much better job at laying out a detailed account of the diagnostic criteria for the various disorders we as speech pathologists will encounter. No such luck.

It went really heavy on the evaluation portion of the text. if they dropped diagnosis from the title I might feel a little better about it.

I mean, it has some useful information in it, but it is not by any means a comprehensive guide to diagnosis in speech path. If you can get by without the text I would highly recommend you do so. There are much better texts on this subject out there.

5 of 6 people found the following review helpful.
Books Falling Apart!
By speakerteacher
Hi Graduate Students,

Isn't it a shame that we are paying hundreds of dollars for textbooks that fall apart when you read them, well, this is one of them. I love the book itself - an excellent book in content. The producer of the physical book itself is doing a poor job of manufacturing. I did call the publisher about this issue. This seems to be a trend in graduate textbooks. Just my thoughts, we are paying too much for shabby treatment.

See all 11 customer reviews...

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[X663.Ebook] PDF Download Shopping, Seduction & Mr. Selfridge, by Lindy Woodhead

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If you lived at Downton Abbey, you shopped at Selfridge’s.

Harry Gordon Selfridge was a charismatic American who, in twenty-five years working at Marshall Field’s in Chicago, rose from lowly stockboy to a partner in the business which his visionary skills had helped to create. At the turn of the twentieth century he brought his own American dream to London’s Oxford Street where, in 1909, with a massive burst of publicity, Harry opened Selfridge’s, England’s first truly modern built-for-purpose department store. Designed to promote shopping as a sensual and pleasurable experience, six acres of floor space offered what he called “everything that enters into the affairs of daily life,” as well as thrilling new luxuries—from ice-cream soda to signature perfumes. This magical emporium also featured Otis elevators, a bank, a rooftop garden with an ice-skating rink, and a restaurant complete with orchestra—all catering to customers from Anna Pavlova to Noel Coward. The store was “a theatre, with the curtain going up at nine o’clock.” Yet the real drama happened off the shop floor, where Mr. Selfridge navigated an extravagant world of mistresses, opulent mansions, racehorses, and an insatiable addiction to gambling. While his gloriously� iconic store still stands, the man himself would ultimately come crashing down.

The true story that inspired the Masterpiece series on PBS�•�Mr. Selfridge is a co-production of ITV Studios and Masterpiece

“Enthralling . . . [an] energetic and wonderfully detailed biography.”—London Evening Standard
�
“Will change your view of shopping forever.”—Vogue (U.K.)

• Sales Rank: #63185 in Books
• Brand: Woodhead, Lindy
• Published on: 2013-02-12
• Released on: 2013-02-12
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .76" w x 5.16" l, .60 pounds
• Binding: Paperback
• 336 pages

Review
“Enthralling . . . [an] energetic and wonderfully detailed biography.”—London Evening Standard

“Will change your view of shopping forever.”—Vogue (U.K.)

About the Author
Lindy Woodhead worked in international fashion public relations for more than twenty-five years. During the late 1980s she spent two years as the first woman on the board of directors of Harvey Nichols. Woodhead retired from fashion in 2000 to concentrate on writing. Her first book, War Paint, a biography of Helena Rubinstein and Elizabeth Arden, was published in 2003. She is a regular contributor to The Spectator and The Times Saturday Magazine. A Fellow of the Royal Society of Arts, she is married with two sons and lives in southwest London and southwest France.

Excerpt. � Reprinted by permission. All rights reserved.
1.

The Fortunes of War

“Fashion is the mirror of history. It reflects political,social and economic changes, rather than mere whimsy.” —Louis XIV

In 1860, as America braced itself for civil war, business-men began to stockpile goods. No one knew better than the store owners what would happen when fabric became scarce. It wasn’t silks and satins that worried them, it was cotton—and they fretted more about the lack of it than the picking of it. In April 1861, when war was declared and President Lincoln issued his Proclamation of Blockade, speculation in cotton became rife, and panicking Northern mill owners were only too glad to forge associations with men who promised to continue the smooth flow of supplies from South to North.

When Union forces captured New Orleans in 1862, trade through the Mississippi Valley became particularly brisk. Cotton was also moved out via Memphis and Vicksburg, all of which kept the mills working—so much so that during the first two years of the war manufacturers still made a healthy profit. By 1863, however, supplies were dwindling and there was a short-age of men to run the machines. American spinning mills went on half-time production. As cotton goods became increasingly scarce, those who had filled a warehouse or two could name their price.

In New York, President Lincoln’s friend Alexander Stewart, the acknowledged “merchant prince” of the day, made enormous sums of money, having astutely cornered the market in domestic linen as well as cotton. Given that Mary Lincoln, a woman who clearly sought security through her possessions and for whom shopping was an addiction, spent thousands of dollars at Stewart’s Marble Palace—on one memorable visit she ordered eighty-four pairs of colored kid gloves—it is not surprising that Mr. Stewart was also rewarded with lucrative contracts to supply clothing to the Union army. Indeed, the war seemed to have no effect on the shopping habits of New York’s rich. The media criticized their “hedonistic approach during the daily slaughter wrought by the war,” but the pursuit of fashion carried on regardless.

Chicago too enjoyed a profitable war. The small town that had emerged out of the swampy Fort Dearborn just three decades earlier—and where some could still remember Chief Black Hawk and his warriors swooping in to attack—was now the hub of America’s biggest railroad network and the collecting point for food to supply both the East and the army. Awash with opportunity and swimming in cash, sprawling, still muddy, “rough and ready” Chicago became a boomtown. As the farm boys joined the army, production of Cyrus McCormick’s reaping machines increased—as did his fortune. He wasn’t alone. Whether it was pork, which Philip Armour bought at eighteen dollars a barrel and sold for forty dollars, or luxury Pullman cars developed by the railwayman George Pullman, Chicago tycoons were making millions of dollars—and their wives were helping them spend it.

The destination of choice for Chicago’s shoppers was Potter Palmer’s store on Lake Street. Palmer, who went on to become a property developer of immense skill, had started his career in Chicago in 1839 as a small-time dry-goods retailer. There was nothing small about his ambitions, however, nor his ability to judge women’s desire to shop. He sold goods at fixed and fair prices, let his ladies take clothes home to try on, and left copies of Godey’s Lady’s Book (the fashion magazine of the time) in the store for browsing. Better yet, he read it himself. His maxim was “You’ve got to think big,” and by the time war came, he had done so, stocking up on cotton goods, filling vast warehouses with everything from petticoats and pantalets to sheets and tea towels, and advertising his stock with a “money-back guarantee”—a revolutionary idea at the time.

Among the men who enlisted all over the North in 1861 was Robert Oliver Selfridge. At the age of thirty-eight he left his home in Ripon, a hamlet in Wisconsin 170 miles north of Chicago, where he ran a general store, to go to war. Reputed to be a sober, hardworking man and described as “a stalwart of local activity,” he was also Master of the Ripon Freemasons’ Lodge. Robert Selfridge and his wife, Lois, had three young sons—Charles Johnston, Robert Oliver Jr., and Henry Gordon (known as Harry). Though there has always been uncertainty in the Selfridge family over precise dates of birth, it seems likely that Harry was born on January 11, 1856. He was just five when his father went to war—and never returned.

Not that Major Selfridge died in battle. He was honorably discharged in 1865, whereupon he simply vanished. No one ever knew why. Perhaps, having witnessed the carnage, he had a nervous breakdown. Perhaps he simply wanted to be free of responsibilities. Whatever the case, he left his wife to bring up her family on her own, on the meager earnings of a teacher. Harry later described Lois as “brave, upstanding, and with indomitable courage.” She was indeed brave, and she needed to be. Not long after the war her eldest son, Charles, died, and then her middle son, Robert. She was now left alone with young Harry.

Moving with her son to Jackson, Michigan, Lois found work as a primary-school teacher, earning around thirty dollars a month. Making ends meet was a constant struggle, so she supplemented her salary by painting Valentine and other novelty cards. Still with no word from her husband, she was left to assume that he was “missing, presumed dead.” Only years later did she learn that he had been killed in a railway accident in Minnesota in 1873 and that she was—finally—a widow. Harry was shielded from the truth, growing up believing that his father had been “killed in battle,” a story he would often repeat to the media. It would be years before he discovered the truth.

Hardly surprisingly, all the love Lois had left to give was centered on her young son. The two of them found genuine pleasure in each other’s company and became such great friends that they continued to live together until the day she died. When things got bleak, they played a game called “Suppose,” which involved imaginary plots about success through endeavor. “Suppose” they could afford a cottage with a bay window? Even “suppose” they were able to live in a castle with lots of servants? Though a pious woman who attended church regularly and abhorred alcohol, Lois was always happy to go to a new play or concert and was an avid reader, a pleasure she imbued in her son.

Mrs. Selfridge continued her career as a teacher, becoming the headmistress of Jackson High School, where the education of the town’s young was entrusted to her capable care. The most important thing she taught Harry was never to fear failure. She was fond of saying, “Why should you worry about failing? There’s always something else to try and you can excel in that instead.” She taught Harry to be gracious. She taught him impeccable manners. Finally, she taught him the importance of appearance. She would check his fingernails in the morning and again before supper—not that he needed much checking. From an early age Harry was fastidious, and he loved nothing better than wearing a clean shirt to school and polishing his boots until they gleamed.

When Harry wasn’t dreaming about castles or maintaining his modest wardrobe, he had his head in a book, devouring stories by James Fenimore Cooper and Nathaniel Hawthorne, along with his favorite, Struggles and Triumphs, the well-thumbed autobiography of the great circus showman Phineas T. Barnum. The rags-to-riches story of Barnum inspired Harry to dream of a future far away from Jackson. In many respects the two were very similar. Barnum had a rare gift for publicity. His spectacular museum in New York drew the public in the thousands and he became rich by entertaining them. Like Barnum, Selfridge had the ability to suspend disbelief. His tricks—entertaining people in a great store that was, in a way, just like a circus tent—created such confidence among his friends, family and financial backers that for years they refused to accept that his extravagant, destructive side was gradually eroding his ability to run his business empire.

All that lay ahead. At the age of ten, Harry started to earn cash in the time-honored way, by delivering newspapers. Next he took over a bread, and finally he took a holiday job at Leonard Field’s dry-goods store where he stocked shelves and carried parcels for $1.50 a week—cash he promptly handed over to his mother. When he was thirteen, he and a school friend, Peter Loomis, produced a boy’s monthly magazine called Will o’ the Wisp. Harry threw himself into the magazine, hustling for advertising from local tradesmen and promising them a “guaranteed circulation from all the boys at school.” Years later, Loomis recalled that “Harry sold space to a local dentist who owed us 75 cents. When he didn’t pay up, Harry got him to extract a troublesome tooth for free to square the debt.” His experience of publishing Wisp not only gave Harry a lifelong passion for the business of publicity and promotion, but also introduced him to the power of the press—something he never forgot and which he played to his advantage throughout his career.

Loomis’s father ran a small bank in Jackson, and when Harry left school at fourteen, he got a job there as a junior bookkeeper, earning twenty dollars a month. A tough taskmaster named Mr. Potter taught him to write a neat ledger, as Harry later recalled in a letter to Loomis: “He didn’t exactly inspire or encourage, but he did rub things in so hard that you could never forget them.” Jotting down figures became an ingrained habit, and Harry’s lists make fascinating reading. In just one of his silver-clasped, cream vellum private ledgers dated 1921, he noted in an immaculate hand that on June 3 he lost �1,198 playing poker and gave “the Hon. Angela Manners �5.5/-” (presumably a charity donation), while in July—somewhat mysteriously for a man who owned his own department store—he spent �476 17s. 6d. at the Irish Linen Company in the Burlington Arcade.

It has been said that at around this time Harry studied for the entrance examinations to the Naval Academy in Annapolis, Maryland, but failed his physical test because he was too short. Harry was always sensitive about his height—he was a shade under five feet eight inches and wore lifts in his custom-made boots to give him an extra half inch—but that fact alone wouldn’t have prevented him joining the navy, for they required only that candidates “be not less than five feet.” It is more likely that he would have failed because of his eyesight. He was notoriously farsighted, and as a consequence wore glasses for all reading and writing, initially a metal-rimmed pince-nez and later thin gold frames. He had the most brilliant, clear blue eyes and would fix people with a beguiling stare that could be disconcerting to those who didn’t realize that he could hardly see them otherwise.

Harry soon left the bank and moved to Gilbert, Ransom & Knapp, a local furniture factory, where he became a bookkeeper. Unfortunately, the business was already waning and went into liquidation a few months later. Being unemployed wasn’t an option, so he took work at a dollar a day in an insurance business in Big Rapids, a small town several hundred miles away.

Whatever influences inspired Harry Selfridge in his quest to create a seductive shopping experience, he certainly didn’t find them in Big Rapids. He was never a fan of country pursuits, and fishing and fur trapping were pretty much all Big Rapids offered by way of recreation in those days. Neither did he drink much. What Harry enjoyed was playing cards—especially poker—and Big Rapids was almost certainly where he honed his game. At one point, boredom is rumored to have prompted him to study law—via a correspondence course—but he subsequently admitted that it was a “complete disaster.” In one thing, however, he remained constant. In the office he was always impeccably dressed. Years later, when Selfridge had become famous and the American press serialized his life story, an old acquaintance from Big Rapids recalled that Harry always looked “as if he had just come out of a bandbox.”

Harry Selfridge returned to Jackson late in 1876 with five hundred dollars he had “saved from his earnings,” although given his predilection for poker, it was more likely to have been the winnings from a few lucky hands at cards. He then drifted from one dreary job to another, culminating in eighteen months at a local grocery store. By the time he was twenty-two, he was desperate to move on. But how—and to where? Salvation came through his ex-employer, Leonard Field, who was persuaded to write a letter of introduction to Marshall Field in Chicago. Marshall was the senior partner in Field, Leiter & Co., one of the biggest and most successful stores in the city. Young Harry would ultimately help make it one of the most famous in America.

Selfridge used to say that his interview with Mr. Field lasted a matter of minutes and that the man was “so cold it made him shiver.” Terms were discussed, with Harry claiming he agreed to a weekly wage of ten dollars as a stock boy in the wholesale department basement—but the pay at the very bottom of the ladder he determined to climb was certainly less than that.

Variously described as “dignified and quiet,” and so taciturn he was nicknamed “silent Marsh,” Field had little time for anything other than work. How a man so devoid of personality could have been so successful in the business of sales, where the ability to communicate and motivate is crucial, is a mystery. Field cared little for what he called “frivolous methods,” running his business the way he lived his life. Dry, humorless and puritanical, albeit always courteous, he was the antithesis of Harry Selfridge. They complemented one another, but although Selfridge worked for Field for over twenty-five years, they were never friends.

To call Marshall Field merely “successful” is an understatement. By 1900, his recorded annual income was $40 million a year (nearly $800 million today), and when he died in 1906, he left an estate worth $118 million (over $2 billion today). A large part of his fortune came from real estate and his early investment in railroad stocks. He was also an original and significant investor in the Pullman Company, backing George Pullman’s imaginative concept of luxurious comfort while traveling by train. Given that the journey from Chicago to New York alone took twenty hours, it is small wonder that Pullman’s deluxe dining car, called “the Delmonico” after New York’s swell restaurant, was so successful. Only the rich could travel in his cars, while the really rich bought and customized their own private Pullman carriages—the private jets of their day—fitting marble bathtubs, overstuffed velvet sofas, piped organ music and, the height of one-upmanship, taking along an English butler to ensure the service was smooth.

Most helpful customer reviews

73 of 76 people found the following review helpful.
Great Social Comment
By Traveller
i bought the book having seen the first episode of the ITV production and was intrigued by the story knowing almost nothing about the history of the store. Lindy Woodhead writes in a style which is both easy to read and also contains fascinating comments about London society and the history of retailing. Selfridge comes across as a larger than life character , ahead of his time in terms of his understanding of consumer demands , skilful in his analysis of fashion, social trends and creating the "shopping experience ". His fall from grace and the loss of his store following shareholder pressure ,as gambling and squandering money on starlets dominates his later life, is a sad finale but somehow seems to fit with the character that he was and the world he created around the store. An excellent read.

50 of 52 people found the following review helpful.
Very interesting
By MT57
I went looking for this book after watching the Masterpiece Theater series that is based on it, "Selfridge". I found it enjoyable to read, thoroughly researched, and generally well written. I thought the author struck the right biographical balance between Selfridge himself and his times and the context around him. It contrasts with the series which, understandably as it is TV, has many more plots with little connection to Selfridge himself and a lot more emphasis on romance and sex than you will find in here. I was more interested in the way he changed retail culture and that was also the focus of this book, so I liked it a lot. The author has done a great deal of research and I felt confident I was reading a fairly accurate account. It read pretty briskly, as well, although toward the end, once the store is established, the narrative loses some steam and many paragraphs consist mainly of lists of things that happened in a particular year relevant to the store. Still, it held my interest consistently and was overall a well-done biography that I am glad I read.

59 of 69 people found the following review helpful.
AN AMERICAN IN LONDON
By Barry McCanna
This is a fascinating account of the life and times of Harry Gordon Selfridge. It covers not just his career, but the changing fashions and world events that accompanied it, and the twin passions that fuelled his existence, and led ultimately to his downfall. The author lays bare Harry's double life; he was a widower with four children, and always appeared to be a very correct Edwardian gentleman. He never exercised droit de seigneur in the store, but his private life was a different matter, and the story is peppered with the names of showgirls on whom he lavished his affections, and showered with gifts.

Lindy Woodhead is an excellent guide on matters sartorial and cosmetic, but when it comes to the showbiz side of the story she is less assured. In 1910, we're informed, the public was dancing to big-band music, then buying phonograph wax cylinders to play the music at home (soon superseded by pressed discs in cardboard sleeves, courtesy of Columbia Records). In reality, the big-band genre did not appear for a further two decades, and the wax cylinder was already losing ground to the gramophone record by the turn of the century. Sleeves appeared around 1910 with the introduction of double-sided 78s, but the cardboard ones came courtesy of the retailer, manufacturers like Columbia and HMV provided paper sleeves.

On the subject of records, whilst it's true that sides for the Key label, which is mentioned on page 211, were selected by Christopher Stone and pressed by Decca, it's stretching a point to say that these were the top dance band hits of the day, recorded under the store's own label. The label used masters from Panachord and Winner, and only about thirty were issued, during 1933/34, usually under pseudonyms. Christopher Stone also selected records for the Mayfair label, which could be obtained in exchange for Ardath cigarette coupons. When the scheme foundered in 1933, Selfridge purchased the outstanding stock which went on sale in the store. .

The musical shows referred to on page 123 should be shown as "Hullo Rag-Time!" and "Hullo Tango!". Victor Silvester is described on page 160 as "the undisputed king of the Black Bottom" which, for a pioneer of strict tempo, seems highly improbable. There were quite a few jazz band recordings of "Fascinating Rhythm" but Jelly Roll Morton did not number amongst them, despite the claim on page 180. I doubt whether you'd have caught either Sophie Tucker or Paul Whiteman's star musicians at the 43 Club. Reference is made from page 102 on to the Kit-Cat Club, spelt incorrectly with two Ks. The French Radio Normandie (spelt thus) was not a pirate radio station.

The author seems confused about the status of the various venues where dance bands played, and on page 211 lumps the Caf� de Paris and the Embassy (Club) in with the 43 and the Silver Slipper. The first two were amongst the top of the range West End hotels and restaurants, which provided residencies for such as Ambrose, Roy Fox and Lew Stone. The last two were drinking clubs which evaded licensing laws by means of bottle parties. Musicians keen on late night jam sessions might gravitate to the latter when their more up-market occupations had finished for the evening, but there was a clear distinction.

Syncopated jazz was a feature of the twenties, and had been replaced by more homogenous arrangements long before the "swing time" (sic) sound as perfected by Benny Goodman's orchestra (not to mention Artie Shaw, Casa Loma, etc). Also on page 243, there are two Ds in Richard Rodgers

The story of Kate Meyrick, who ran the infamous 43 Club in Gerrard Street, is touched upon only briefly. Her objective was to fund her daughters' education, and three of them married peers of the realm. Mrs. Selfridge herself seems somewhat neglected, and it's worth mentioning that in 1908 she visited Florence, together with daughters Rosalie and Violette. There they spent some time practising the harp, under the tutelage of Professor Giorgio Lorenzi. On their return to England they were accompanied by his son, Mario, who then gave recitals in London. After the First World War he began playing in dance bands, and between 1935 and 1938 made a series of recordings under the title of Mario "Harp" Lorenzi & his Rhythmics.

I have digressed from the book itself, and will make amends by recommending it wholeheartedly. Despite the odd solecism, it is a compelling slice of social history. My only regret is that the finale is such a tragic one. Harry treated the store as his personal fiefdom, despite the fact that Selfridge was a public company. When nemesis came, in the shape of a new appointment to the board, retribution was merciless. For all his faults Harry did not deserve the treatment that was meted out to him. Weighed in the balance, his achievements far outstripped his failings, and I think he would be extremely gratified that Lindy Woodhead has gone to such trouble to set the record straight.

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