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A classic reference book on user interface design and graphic design for web sites, updated to reflect a rapidly changing market

Consistently praised as the best volume on classic elements of web site design, Web Style Guide has sold many thousands of copies and has been published around the world. This new revised edition confirms Web Style Guide as the go-to authority in a rapidly changing market. As web designers move from building sites from scratch to using content management and aggregation tools, the book’s focus shifts away from code samples and toward best practices, especially those involving mobile experience, social media, and accessibility. An ideal reference for web site designers in corporations, government, nonprofit organizations, and academic institutions, the book explains established design principles and covers all aspects of web design—from planning to production to maintenance. The guide also shows how these principles apply in web design projects whose primary concerns are information design, interface design, and efficient search and navigation.

• Sales Rank: #106916 in Books
• Published on: 2016-08-23
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 16.50" w x 7.00" l, .0 pounds
• Binding: Paperback
• 408 pages

Review
“An excellent primer for anyone working on the web. Horton and Lynch combine tried-and-true techniques with realistic examples to bring us a thorough, practical guide to today’s complex web projects.”—Sara Wachter-Boettcher, author of Design for Real Life and Content Everywhere (Sara Wachter-Boettcher)

“The Web Style Guide is an invaluable overview of the myriad moving parts of a web project and does an excellent job demonstrating how they fit together; it’s a must-read for anyone involved in building for the Web.”—Aaron Gustafson, author of Adaptive Web Design (Aaron Gustafson)

“With this new edition, the authors update the book to include important changes in the field of web building. This book will appeal to the professional web builder, the instructor, the scholar, and, of course, the student.”—Greg O’Toole, author of Sustainable Web Ecosystem Design (Greg O'Toole)

“This isn’t a book you’re reading. It’s a map. . . .�Web Style Guide�will provide you with path through your next project, and introduce you to ideas, concepts, and landmarks you’ll want to revisit.”—From the Foreword by Ethan Marcotte (Ethan Marcotte)

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“An outstanding resource for understanding how to design usable and�effective�websites.”—Michael C. Zalot, DeVry University (Michael C. Zalot)

About the Author
Patrick J. Lynch is senior digital officer in Yale University’s Office of Public Affairs and Communications. He lives in North Haven, CT. Sarah Horton is user experience strategy lead for the Paciello Group. She lives in New York City.

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[C220.Ebook] PDF Ebook Tarzan: The Complete Russ Manning Newspaper Strips Volume 4 (1974-1979), by Russ Manning

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WINNER OF THE 2014 EISNER AWARD! In the series conclusion, the final nine Sunday storylines by Russ Manning, in which Tarzan returns to Opar, Pellucidar, and Castra Sanguinarius, while Korak finds himself at the Sacred Lake of Krackao and the Elephants’ Graveyard. Collecting the complete strips' run from March 24, 1974 through June 24, 1979.

• Sales Rank: #781609 in Books
• Published on: 2015-04-14
• Released on: 2015-04-14
• Original language: English
• Number of items: 1
• Dimensions: 11.10" h x 1.60" w x 8.70" l, 2.56 pounds
• Binding: Hardcover
• 296 pages

About the Author
Russell Manning was an American comic book artist who created the series Magnus, Robot Fighter and illustrated suchnewspaper comic strips as Tarzan and Star Wars. He was inducted into the Comic Book Hall of Fame in 2006.

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10 of 10 people found the following review helpful.
The culmination of Russ Manning comic art bliss
By L. W. Swint
With the turn of page 294 in this beautiful, full color art book from IDW Publishing, a nearly lifelong dream has been fulfilled for this comic art fan: a high quality collection of the majestic artistic work of Russ Manning's "Tarzan." Volume 4 of "Tarzan: The Complete Russ Manning Newspaper Strips (1974-1979)" brings this comic master's rendition of Edgar Rice Burroughs' legendary character to a dramatic conclusion with 9 amazing adventures that take the Lord of the Jungle across the breath of a mythic and mysterious Africa, as well as beneath the Earth itself. Within this book, the reader will discover the following dramatic tales:

"Tarzan Returns to Sanguinarius:" (March 24-November 3, 1974); in which "Tarzan" once again enters a lost city suspended in time, the last remnant of the ancient Roman Empire, a place he first discovered in the Burroughs' 1929 novel, "Tarzan and the Lost Empire."

"Tarzan and the Valley of Mist:" (November 10, 1974-February 9, 1975); "Tarzan," accompanied by his monkey friend Nkima, seeks to answer the mystery of strange acting jungle animals and finds a seemingly blissful environment unlike any he's encountered in Africa.

"Korak and the Amazons of the Elephants' Graveyard:" (February 16-August 10, 1975); follows "Tarzan's teen-aged son Korak on a solo adventure involving lost legends and war within a lost civilization.

"Tarzan and the Giant Insects of Opar:" (August 17, 175-August 22, 1976); the Jungle Lord returns to Opar, the last outpost of ancient Atlantis, and again encounters the alluring Queen La (Oh my, La!), the savage beastmen and worse multi-legged dangers.

"Tarzan and the Emigrants:" (August 29-December 26, 1976); "Tarzan" comes into conflict with a family of white settlers, whose desire to build a farmland disrupts the natural order of the jungle.

"Tarzan and the Jungle Revolution:" (January 2-August 21, 1977); together with his beloved wife Jane, "Tarzan" battles a ruthless army general seeking to bring war to the cherished home of the Lord of the Jungle.

"Korak and the Sacred Lake of Krackao:" (August 28, 1977-January 29, 1978); Korak loses his heart to an enchanting priestess of a mysterious culture tied to primal and primitive forces.

"Tarzan and the Dead Moon of Pellucidar:" (February 5, 1978-February 3, 1979); "Tarzan" returns "to one of the strangest...most imaginative...and deadliest...of all the lands created by the master of adventure (Edgar Rice Burroughs)"...the underground world beneath the Earth..."savage Pellucidar!"

"Tarzan and the Games of Ibizzia:" (February 4-June 24, 1979); the family of "Tarzan" are reunited as they try to stop the power mad General Mwalafeo from going through with a athletic competition that threatens the lives of its participants, including Korak.

These tales are from the final Sunday newspaper continuities and showcase the truly great, imaginative storytelling skills of Russ Manning. They vary in tone and technique but remain at their heart, breathless adventure stories. Mr. Manning revels in depicting the characters and lost civilizations first created by Edgar Rice Burroughs, and imagines a few of his own that add to the mystique of this Africa that never was. A strong subtext to many of the stories is the corrupting and destructive influence of civilization on the jungle world of "Tarzan." The older or lost civilizations are shown as decadent in their decline. For example, Saguinarius, the former city-state of ancient Rome, is a place of greed and ambition, while the lost city of Opar's denizens, the bloated, bearded beastmen, seem more brutal and animalistic than the Great Apes, the furry creatures who raised "Tarzan" to become the Lord of the Jungle. At the same time, other environments, like Pellucidar, are tainted by the fury of the primeval, their inhabitants caught up in the constant struggle for survival. In contrast, Mr. Manning illustrates "Tarzan's" jungle home as almost tranquil in comparison, a garden of Eden; rich in natural wonder and resources, it is no wonder "Tarzan" loves and constantly strives to protect it.

At the center of these stories is Mr. Manning's noble, charismatic Lord of the Jungle. His "Tarzan" is a brave warrior, an inspiring leader, an iconic heroic figure. As written and drawn by this master of the comic medium, Edgar Rice Burroughs' most famous creation is fully and beautifully realized.

In the book's richly illustrated introduction written by Henry G. Franke III, the author describes how the creators' of the comic book versions of "Tarzan" hoped to expand the character's comic adventures with Mr. Manning playing a central role in these artistic ambitions. This volume provides a historical and biographical narrative on Mr. Manning's last contributions to the legend of "Tarzan."

With the release of this final volume of Russ Manning's newspaper tales of "Tarzan," IDW Publishing has given comic art lovers everywhere a 4 book appreciation of a great fictional character and a great comic artist. This entire series collection serves as a long deserved tribute to the work of a man who contributed a classic legacy to the genre of comic art.

This very special book comes with my very highest recommendation.

10 of 10 people found the following review helpful.
Wonderful Conclusion to a Great Series
By David Swan
We have two different comic takes on the Tarzan character being released just days apart including the venerable Burne Hogarth version from the 1930’s published by Titan Books and Russ Mannings’ take from the 1970’s put out by IDW Publishing. So if you can only purchase one which is the one to get?

From a writing standpoint there is no comparison. Russ Manning does duel duty as both artist AND writer and his stories are far better than those created by Don Garden, the actual writer behind Hogarth’s artwork. Garden seemed to just crank out text whereas Manning wrote stories and actually gave the ape man some downtime rather than relentless action. The Manning stories are not the greatest stories ever put on paper but writing a continuing storyline in tiny one week installments is a very tough task and Manning’s results are better than most.

Art wise I’m going with Manning although the victory is far less clear cut. The images in the Titan books are a lot muddier but Manning had the advantage of more modern coloring techniques so I’m not going to ding Hogarth on that. It’s clear that Hogarth was a fantastically talented artist and both he and Manning didn’t skimp on backgrounds. The difference for me is that Manning gave Tarzan a more natural appearance. Tarzan was often in stiff heroic stances when drawn by Hogarth while Manning’s art was smoother and more flowing. He also seemed to have a larger variety of character movements in his tool chest. This is in no way meant to put down Hogarth beautiful art. I just think Manning has the edge.

Presentation wise IDW wins again. Both volumes have nice covers and I actually prefer Titans which went without a dust cover which I consider archaic and just an easy way for the book to get damaged. Size wise the Titan book is somewhat unwieldy because they chose to keep the book a similar size to the original newspaper (shrunk a bit). The IDW book is a lot more manageable. Where IDW dominates is in the introduction. Titan’s is just four pages long whereas IDW has a significantly longer introduction and contained a ton of background information that I found fascinating. I really grew to appreciate the work that Russ Manning did and all the behind the scenes stuff related to getting these comics produced.

This is the final volume and perhaps my favorite of the four. The introduction to this volume concludes with Russ Manning’s death at the too young age of 52. Although he was no longer working on Tarzan when he died he stuck it out way longer than almost anyone else would have taking less money than he could have made elsewhere with his skills. He stayed with Tarzan because he loved the character and working on Tarzan was the realization of a lifelong dream. If you’re a fan of Tarzan and/or great comic art this is one I don’t think you should pass up.

3 of 3 people found the following review helpful.
Easily the best comic strip of the 70's
By Arthur L. Fonseca
Easily the best comic strip of the 70's. Head and shoulders above everything else that was being done in America. Moebius and Charlier were doing Blueberry over in France, but that's another story...
Kind of tragic that Russ Manning basically worked himself to death on these comic strips... it would have been really nice to have had him around for another couple of decades...
Enjoy this book... the presentation, the biographical information, and the reproduction are of the highest order, and are done with great respect for this fine artist... a truly great contribution to American comic book culture.

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[X710.Ebook] Free PDF Modern Principles: Microeconomics 2nd Edition, by Tyler Cowen, Alex Tabarrok

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Engaging authors, unbiased presentations of essential ideas, and a knack for revealing the 'invisible hand' of economics at work inform the thoroughly updated new edition of Modern Principles, drawing on a wealth of captivating applications to show readers how economics shed light on business, politics, world affairs, and everyday life.

• Sales Rank: #5866 in Books
• Brand: Brand: Worth Publishers
• Published on: 2011-10-20
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x .81" w x 8.47" l, 2.29 pounds
• Binding: Paperback
• 432 pages

Features

• Used Book in Good Condition

About the Author
TYLER COWEN Holbert C. Harris Professor of Economics at George Mason University, USA, and Director of the Mercatus Center and the James M. Buchanan Center for Political Economy. He is published widely in economics journals, including the American Economic Review and Journal of Political Economy. With Alex Tabarrok he co-writes the Marginal Revolution blog, often ranked as the #1 economics blog. He is also the author of Discover Your Inner Economist (Dutton, 2007) and numerous other books on economics. He writes regularly for the popular press on economics, including for The New York Times, The Washington Post, Forbes, and The Wilson Quarterly. ALEX TABARROK Bartley J. Madden Chair in Economics at the Mercatus Center at George Mason University, USA, and director of research for The Independent Institute. Tabarrok is co-author with Tyler Cowen of the popular economics blog, Marginal Revolution. His recent research looks at bounty hunters, judicial incentives and elections, crime control, patent reform, methods to increase the supply of human organs for transplant, and the regulation of pharmaceuticals. He is the editor of the books, Entrepreneurial Economics: Bright Ideas from the Dismal Science; The Voluntary City: Choice, Community, and Civil Society; and Changing the Guard: Private Prisons and The Control of Crime. His papers have appeared in the Journal of Law and Economics, Public Choice, Economic Inquiry, Journal of Health Economics, Journal of Theoretical Politics, The American Law and Economics Review, Kyklos and many other journals. His popular articles have appeared in The New York Times, The Wall Street Journal, and many other magazines and newspapers.

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7 of 7 people found the following review helpful.
Modern Principles: Microeconomics
By student
The book is an easy read with illustrations so that you can understand how to apply the information to "real world".

3 of 3 people found the following review helpful.
As exciting as an econ textbook can be
By ninjawarrior19
This book is well-written and perfect for a high school AP micro class or introductory college course. It is very easy to understand and follow. There are relevant real world examples, a pleasant smattering of humor, and helpful pictures. I have learned econ very well from reading this and have decided to make economics my major!

8 of 11 people found the following review helpful.
a new approach, that's for sure
By Caraculiambro
Here's the author himself writing, touting the virtues this new approach:

"Here are a few of my favorite things Modern Principles:

1. It has the most thorough treatment of the interconnectedness of markets and the importance of the price system; most texts only pay lip service to this.

2. It is the most Hayekian of the texts on micro theory without in any way ignoring the importance of externalities, public goods and other challenges to markets.

3. It has an entire chapter on ethics and economics. We do present economics as a value-free science, yet we all know how much ethics shapes people's economics views. The book helps the student sort out common confusions and explains the ethical presuppositions behind many "economic" arguments.

4. It has an entire chapter on incentives and incentive design (e.g. piece rates, tournaments, pay for performance). Oddly, many micro books do not discuss this crucial topic.

5. International examples--from Algeria to Zimbabwe--are written into the core of the book and not just ghettoized in a single "international chapter."

6. It is obsessed with the idea of teaching students to think like economists.

7. It is grounded in the belief that reading an economics text should be fun, not a chore.

8. It has balanced coverage of neo-Keynesian and real business cycle approaches.

9. It covers Solow "catch-up" growth, and Paul Romer's increasing returns, much more thoroughly than do the other texts. The macro book (section) starts off with the idea of why growth matters and is central to macroeconomics.

10. The financial crisis was written into the core of the book, rather than being absent or treated as an add-on. This means for instance plenty of coverage of financial intermediation and asset price bubbles.

11. The book's blog, a teaching tool with lots of videos, powerpoints and other ideas for keeping teaching exciting, is lots of fun and updated regularly (FYI, this is a great resource for any instructor of economics.)

In addition, of course, there is a full range of supplements including lecture powerpoints, test banks, student's guide, Aplia support and coming in the fall EconPortal (even better than Aplia, IMHO)."

He's referring throughout, obviously, to the combined edition.

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[N766.Ebook] Download Ebook Physioeconomics: The Basis for Long-Run Economic Growth, by Philip M. Parker

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Physioeconomics: The Basis for Long-Run Economic Growth, by Philip M. Parker

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According to Philip Parker, the relationship between physics-based physiology and macroeconomics may come to dominate explanations of economic growth. His argument focuses on the so-called equatorial paradox--the phenomenon that a country's latitude explains up to 70 percent of cross-country variances in per capita income. After introducing concepts from physics and physiology as the building blocks of homeostatic utility, he explains the role of homeostatic utility in economic growth. Specifically, he shows that a country's performance is gauged not by its absolute level of income or consumption, but by how far it is from a homeostatic steady state governed by what he calls physioeconomics. Countries closer to their homeostatic steady state grow more slowly than those farther away.Parker shows how factors such as income, aggregate savings, investment, technology, entrepreneurship, production, and outputs per worker are influenced by the more fundamental principles of physics and physiology. He focuses particularly on the hypothalamus, the part of the brain that drives motivation, monitors homeostasis, and ultimately keeps us alive via neural, autonomic, and hormonal adjustments. He presents evidence that long-run growth can be attributed to variances in hypothalmic activity.A physioeconomic approach to growth can lead to better economic policies, measures of performance, and predictions of progress. To take just one example, policymakers would be quicker to realize that food aid to warmer regions can destroy local farming economies that supply adequate caloric needs at a lower steady state.

• Sales Rank: #3792116 in Books
• Published on: 2000-09-18
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.10" w x 5.50" l, 1.27 pounds
• Binding: Hardcover
• 336 pages

About the Author
Philip Parker is Professor of Economics and International Strategy at the University of California, San Diego, and at INSEAD, Fontainbleau, France.

Most helpful customer reviews

7 of 11 people found the following review helpful.
This book was written by a robot
By Bryan
Do you guys realize that this book was written by a computer program?!? The "author" created a book writing system that scrapes a database for information and prints books on demand.

[...]

37 of 52 people found the following review helpful.
Thinly disguised racism
By A Customer
This book is a kind of technical theory of why Northern countries control all the wealth. I would recommend the book "Guns, Germs and Steel" if you want to really examine the subject of civilization.

4 of 9 people found the following review helpful.
10 years ahead of its time
By truri
At the time he wrote it (yes, Phil Parker produces many books by algorithm, but this was not one of them), this book was far ahead of its time. The observation that latitude correlated to economic performance (farther north = higher GDP per capita) was dismissed as a quirk until recently. But now there is a large and growing literature on it in economics: the effect seems quite real. As I write this, I'm sitting in a seminar by Geoffrey Heal from Columbia on this topic. Even year by year, a change in average temperature in a year has a measurable effect on GDP. The effect is not uniform: it's stronger in warm countries/poor countries. There is a parallel literature looking at individual performance. The optimal level is around 20C or 70F.

By the way, there is a scary empirical literature suggesting that heat stress in utero has a measurable negative effect on lifetime IQ of the baby! That suggests there is a critical period during the pregnancy when mothers should be kept in air conditioning, and should not exert themselves in warm weather! I used to think air conditioning was a luxury for wimps. (Not counting Arizona, of course.) It seems I was wrong.

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[R660.Ebook] Get Free Ebook Following My Paint Brush, by Gita Wolf

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To earn more money, we worked in people's houses, washing their dishes.
When we were done, I liked arranging the pots and pans in rows.
When I grew up, I still did the same work. I had never gone to school, so I was not trained to do any other job.
Sometimes I wished I could do something else. Everyday was the same, as it had been from the time I was a small girl.
Then one day, when I was passing the village pond, a strange thing happened. As I stood and looked, the scene turned into a picture in my mind. It came alive, bright and lively, telling stories. I was happy the whole day, thinking of my picture.

Following My Paint Brush is the story of Dulari Devi, a domestic helper who went on to become an artist in the Mithila style of folk painting from Bihar, eastern India. Dulari is from a community of fisherfolk whose occupation is river-fishing. Used to a life of hard and relentless labor, she discovered painting while working as a domestic helper in an artist's house.

Dulari learned by doing, and very soon came to adapt artistic rules and conventions to her own expressive needs. Following My Paint Brush narrates Dulari's momentous journey from a worker who knew no rest to an artist who is willing to go where her imagination leads her. This is Dulari's first book.

• Sales Rank: #1806593 in Books
• Brand: Brand: Tara Books
• Published on: 2011-06-21
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 9.50" w x .50" l, .75 pounds
• Binding: Hardcover
• 32 pages

Features

• Used Book in Good Condition

About the Author
Dulari Devi is an artist who paints in the Mithila style,characteristic of painting communities in Bihar,eastern India. This is her first book.

Most helpful customer reviews

3 of 3 people found the following review helpful.
FOLLOWING MY PAINT BRUSH found its way to my coffee table and the message to my heart.
By utbtkids
Indian society has many strata based on caste and/or class. What once could have been a loose way to organize people and make laws has now transmogrified in to commandments, propelled purely by the willingness of the people to accept and conform. Being a woman AND being born in the lower caste AND being poor can be a triple whammy. Rarely there are some people who break out of this cycle and it is an uphill task to do so.

FOLLOWING MY PAINT BRUSH tells the real life story of the Mithila painting artist Dulari Devi who bettered her life by following her passion - painting. Her story is told through her own paintings and the simple, yet powerful words of Gita Wolf.

There is a page which says, "What do I draw? I thought of the fish my mother and I used to sell in the market and the strange patterns on them. I would catch those fish in paint."

This is a classic example of how Gita's text subtly tells how Dulari Devi overcame her creator's block and draws inspiration from her life.

Dulari Devi's illustration displays elements of symmetry. The repetitive geometrical patterns are typical of Mithila art. It also shows one half of the painting with minimal colors and intricate lines. Where as the other side shows vibrant colors filled in between lines. This is the fusion of two styles of Mithila art - the Kachni and the Bharni. Dulari Devi combines various styles and experiments in order to achieve the desired visual effect.

The line that spoke the most to me is:

"As time went on I couldn't imagine a single day without painting. It was a part of my life."

It made me think, when you are born in and living in poverty, the lack of power to do or say anything, the feeling of helplessness associated with the situation, has a greater impact on human emotions than lack of money and the material comforts it can buy. Once Dulari Devi started painting, once she started expressing herself and her paintings get some kind of recognition, she just cannot stop.

This comes through in the last page when Dulari Devi says, "I was so proud that people wanted to know about me and what I thought."

From promoting the Mithila art to celebrating the will of this talented artist, this book is quintessential Tara. FOLLOWING MY PAINT BRUSH found its way to my coffee table and the message to my heart.

0 of 0 people found the following review helpful.
Art that Celebrates Life
By Joy Corcoran
This is the illustrated story of artist Deva Dulari. She tells how she worked in rice fields, cooked and took care of brothers and sisters, sold fish, and washed other people’s dishes. “Time passed and I grew up, but I still did the same work. I had never gone to school, so I was not trained to do any other job. Sometimes I wished I could do something else. Everyday was the same, as it had been from the time I was a small girl.”
One day, she sees a group of children playing and makes a picture in her mind. Next she paints a fish in the mud. Then she finds out a lady she works for is an artist. The artist encourages Deva and she begins to create not only gorgeous art but a new identity for herself. The illustrations are amazing and have a lyrical style. For a review of more books by Tara Press, you can read my blog: http://www.joycorcoran.com/2014/10/tara-books-slender-art-galleries-on.html

0 of 0 people found the following review helpful.
A bright and beautiful book
By Susan Bultitude
An Indian domestic worker learns to paint, without having had formal education. Her vibrant paintings give us a marvellous view into her simple village life.

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