PDF Ebook Tarzan: The Complete Russ Manning Newspaper Strips Volume 4 (1974-1979), by Russ Manning
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Tarzan: The Complete Russ Manning Newspaper Strips Volume 4 (1974-1979), by Russ Manning
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WINNER OF THE 2014 EISNER AWARD! In the series conclusion, the final nine Sunday storylines by Russ Manning, in which Tarzan returns to Opar, Pellucidar, and Castra Sanguinarius, while Korak finds himself at the Sacred Lake of Krackao and the Elephants’ Graveyard. Collecting the complete strips' run from March 24, 1974 through June 24, 1979.
- Sales Rank: #781609 in Books
- Published on: 2015-04-14
- Released on: 2015-04-14
- Original language: English
- Number of items: 1
- Dimensions: 11.10" h x 1.60" w x 8.70" l, 2.56 pounds
- Binding: Hardcover
- 296 pages
About the Author
Russell Manning was an American comic book artist who created the series Magnus, Robot Fighter and illustrated suchnewspaper comic strips as Tarzan and Star Wars. He was inducted into the Comic Book Hall of Fame in 2006.
Most helpful customer reviews
10 of 10 people found the following review helpful.
The culmination of Russ Manning comic art bliss
By L. W. Swint
With the turn of page 294 in this beautiful, full color art book from IDW Publishing, a nearly lifelong dream has been fulfilled for this comic art fan: a high quality collection of the majestic artistic work of Russ Manning's "Tarzan." Volume 4 of "Tarzan: The Complete Russ Manning Newspaper Strips (1974-1979)" brings this comic master's rendition of Edgar Rice Burroughs' legendary character to a dramatic conclusion with 9 amazing adventures that take the Lord of the Jungle across the breath of a mythic and mysterious Africa, as well as beneath the Earth itself. Within this book, the reader will discover the following dramatic tales:
"Tarzan Returns to Sanguinarius:" (March 24-November 3, 1974); in which "Tarzan" once again enters a lost city suspended in time, the last remnant of the ancient Roman Empire, a place he first discovered in the Burroughs' 1929 novel, "Tarzan and the Lost Empire."
"Tarzan and the Valley of Mist:" (November 10, 1974-February 9, 1975); "Tarzan," accompanied by his monkey friend Nkima, seeks to answer the mystery of strange acting jungle animals and finds a seemingly blissful environment unlike any he's encountered in Africa.
"Korak and the Amazons of the Elephants' Graveyard:" (February 16-August 10, 1975); follows "Tarzan's teen-aged son Korak on a solo adventure involving lost legends and war within a lost civilization.
"Tarzan and the Giant Insects of Opar:" (August 17, 175-August 22, 1976); the Jungle Lord returns to Opar, the last outpost of ancient Atlantis, and again encounters the alluring Queen La (Oh my, La!), the savage beastmen and worse multi-legged dangers.
"Tarzan and the Emigrants:" (August 29-December 26, 1976); "Tarzan" comes into conflict with a family of white settlers, whose desire to build a farmland disrupts the natural order of the jungle.
"Tarzan and the Jungle Revolution:" (January 2-August 21, 1977); together with his beloved wife Jane, "Tarzan" battles a ruthless army general seeking to bring war to the cherished home of the Lord of the Jungle.
"Korak and the Sacred Lake of Krackao:" (August 28, 1977-January 29, 1978); Korak loses his heart to an enchanting priestess of a mysterious culture tied to primal and primitive forces.
"Tarzan and the Dead Moon of Pellucidar:" (February 5, 1978-February 3, 1979); "Tarzan" returns "to one of the strangest...most imaginative...and deadliest...of all the lands created by the master of adventure (Edgar Rice Burroughs)"...the underground world beneath the Earth..."savage Pellucidar!"
"Tarzan and the Games of Ibizzia:" (February 4-June 24, 1979); the family of "Tarzan" are reunited as they try to stop the power mad General Mwalafeo from going through with a athletic competition that threatens the lives of its participants, including Korak.
These tales are from the final Sunday newspaper continuities and showcase the truly great, imaginative storytelling skills of Russ Manning. They vary in tone and technique but remain at their heart, breathless adventure stories. Mr. Manning revels in depicting the characters and lost civilizations first created by Edgar Rice Burroughs, and imagines a few of his own that add to the mystique of this Africa that never was. A strong subtext to many of the stories is the corrupting and destructive influence of civilization on the jungle world of "Tarzan." The older or lost civilizations are shown as decadent in their decline. For example, Saguinarius, the former city-state of ancient Rome, is a place of greed and ambition, while the lost city of Opar's denizens, the bloated, bearded beastmen, seem more brutal and animalistic than the Great Apes, the furry creatures who raised "Tarzan" to become the Lord of the Jungle. At the same time, other environments, like Pellucidar, are tainted by the fury of the primeval, their inhabitants caught up in the constant struggle for survival. In contrast, Mr. Manning illustrates "Tarzan's" jungle home as almost tranquil in comparison, a garden of Eden; rich in natural wonder and resources, it is no wonder "Tarzan" loves and constantly strives to protect it.
At the center of these stories is Mr. Manning's noble, charismatic Lord of the Jungle. His "Tarzan" is a brave warrior, an inspiring leader, an iconic heroic figure. As written and drawn by this master of the comic medium, Edgar Rice Burroughs' most famous creation is fully and beautifully realized.
In the book's richly illustrated introduction written by Henry G. Franke III, the author describes how the creators' of the comic book versions of "Tarzan" hoped to expand the character's comic adventures with Mr. Manning playing a central role in these artistic ambitions. This volume provides a historical and biographical narrative on Mr. Manning's last contributions to the legend of "Tarzan."
With the release of this final volume of Russ Manning's newspaper tales of "Tarzan," IDW Publishing has given comic art lovers everywhere a 4 book appreciation of a great fictional character and a great comic artist. This entire series collection serves as a long deserved tribute to the work of a man who contributed a classic legacy to the genre of comic art.
This very special book comes with my very highest recommendation.
10 of 10 people found the following review helpful.
Wonderful Conclusion to a Great Series
By David Swan
We have two different comic takes on the Tarzan character being released just days apart including the venerable Burne Hogarth version from the 1930’s published by Titan Books and Russ Mannings’ take from the 1970’s put out by IDW Publishing. So if you can only purchase one which is the one to get?
From a writing standpoint there is no comparison. Russ Manning does duel duty as both artist AND writer and his stories are far better than those created by Don Garden, the actual writer behind Hogarth’s artwork. Garden seemed to just crank out text whereas Manning wrote stories and actually gave the ape man some downtime rather than relentless action. The Manning stories are not the greatest stories ever put on paper but writing a continuing storyline in tiny one week installments is a very tough task and Manning’s results are better than most.
Art wise I’m going with Manning although the victory is far less clear cut. The images in the Titan books are a lot muddier but Manning had the advantage of more modern coloring techniques so I’m not going to ding Hogarth on that. It’s clear that Hogarth was a fantastically talented artist and both he and Manning didn’t skimp on backgrounds. The difference for me is that Manning gave Tarzan a more natural appearance. Tarzan was often in stiff heroic stances when drawn by Hogarth while Manning’s art was smoother and more flowing. He also seemed to have a larger variety of character movements in his tool chest. This is in no way meant to put down Hogarth beautiful art. I just think Manning has the edge.
Presentation wise IDW wins again. Both volumes have nice covers and I actually prefer Titans which went without a dust cover which I consider archaic and just an easy way for the book to get damaged. Size wise the Titan book is somewhat unwieldy because they chose to keep the book a similar size to the original newspaper (shrunk a bit). The IDW book is a lot more manageable. Where IDW dominates is in the introduction. Titan’s is just four pages long whereas IDW has a significantly longer introduction and contained a ton of background information that I found fascinating. I really grew to appreciate the work that Russ Manning did and all the behind the scenes stuff related to getting these comics produced.
This is the final volume and perhaps my favorite of the four. The introduction to this volume concludes with Russ Manning’s death at the too young age of 52. Although he was no longer working on Tarzan when he died he stuck it out way longer than almost anyone else would have taking less money than he could have made elsewhere with his skills. He stayed with Tarzan because he loved the character and working on Tarzan was the realization of a lifelong dream. If you’re a fan of Tarzan and/or great comic art this is one I don’t think you should pass up.
3 of 3 people found the following review helpful.
Easily the best comic strip of the 70's
By Arthur L. Fonseca
Easily the best comic strip of the 70's. Head and shoulders above everything else that was being done in America. Moebius and Charlier were doing Blueberry over in France, but that's another story...
Kind of tragic that Russ Manning basically worked himself to death on these comic strips... it would have been really nice to have had him around for another couple of decades...
Enjoy this book... the presentation, the biographical information, and the reproduction are of the highest order, and are done with great respect for this fine artist... a truly great contribution to American comic book culture.
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