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Visionary Fictions: Apocalyptic Writing from Blake to the Modern Age, by Edward J. Ahearn
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"Visionary" writers, says Edward Ahearn in this original book, seek a personal way to explode the normal experience of the "real," using prophetic visions, fantastic tales, insane rantings, surrealistic dreams, and drug- or sex-induced dislocations in their work. Their fiction expresses rebellion against all the values of Western civilization—personal, sexual, familial, religious, moral, societal, and political. Yet even though they are anti-realistic, they do react to specific aspects of modern reality, such as the recurring promise and failure of social revolution. Ahearn, who finds this form at once exhilarating, immensely disturbing, vital, and subversive, explores the work of a wide variety of authors who have contributed to the genre from the late eighteenth century to the present day.
Beginning with the appearance of visionary writing in the work of William Blake, Ahearn traces the development of the form in texts by widely scattered authors writing in French, German, and English. He includes Novalis, Lautr�amont, Breton, William Burroughs, and contemporary feminists Monique Wittig and Jamaica Kincaid, among others. Quoting liberally from these authors, Ahearn summarizes the works and places them in context. General readers, as well as those who have studied these authors, will find this book an extraordinarily interesting tour of this little recognized and frequently misunderstood genre.
- Sales Rank: #6235290 in Books
- Published on: 2011-11-30
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x .48" w x 5.98" l, .69 pounds
- Binding: Paperback
- 208 pages
About the Author
Edward J. Ahearn, University Professor and professor of comparative literature and French studies at Brown University, is also author of Marx and Modern Fiction, published by Yale University Press.
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Theory and Love of Literature
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Edward Ahearn, honored University Professor at Brown University, here commits to paper subjects he has examined through reading and teaching. To deal with the visionary, he makes the obligatory stop through Blake, whose fiery social conscience and mythological incoherence made him the template for future literary "visionaries": Nerval and Lautreamont among the French; Burroughs; and the voices of Dadaism and Surrealism. As some of these writings are impenetrably concentrated, and outright antagonistic towards the reader, it is Ahearn's task to bridge the reader and these fictions, in order to communicate his own analyses of them. This task he handles with the same directness and precision of his college lectures, along with the exactness of a critic who presupposes some familiarity with these texts. As a work of criticism and of writing, an achievement
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