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William Faulkner was the greatest American novelist of the twentieth century, yet he lived a life marked by a pervasive sense of failure. Throughout his career, he remained haunted by his inability to master a series of personal and professional challenges: his less-than-heroic military career; the loss of his brother in an airplane crash; a disappointing stint as a Hollywood screenwriter; and a destructive bout with alcoholism. In this imaginative biography, Philip Weinstein--a leading authority on the great novelist--targets Faulkner's embattled sense of self as central to both his life and his work. Weinstein shows how Faulkner's troubled interactions with time, place, and history--with antebellum practices and racial division--take on their fullest meanings in his fiction. Exploring the resonance of his own unpreparedness, Faulkner invented a singular language that captured human consciousness under stress as never before. Becoming Faulkner joins Faulkner's life and art in a bold new way, giving readers a full vantage from which to better understand this twentieth-century literary genius.
Weinstein shows how Faulkner's troubled interactions with time, place, and history--with antebellum practices and southern heritage--form a pattern that played out over the course of his entire life. At the same time, these incidents take on their fullest meanings in his fiction. It was in meditating on his failures, his own unreadiness, Weinstein argues, that Faulkner came up with his singular language, one that captured human consciousness under stress as never before. His fruitless striving catapulted American literature to a new level of sophistication.
Narrating the events that comprised Faulkner's life, biographers have long struggled to depict his personal complexity, the paradoxes that shaped his decisions and dogged his relationships. But without a consideration of the writing as well, the troubles in the life fail to reveal their deeper resonance. By skillfully analyzing the work while tracing the events, Weinstein achieves a full portrait, revealing struggles that animate his life and shadows that complicate his work. Becoming Faulkner thus conjoins Faulkner's life and art in a bold new way, giving readers a full vantage from which to better understand this twentieth-century literary genius.
- Sales Rank: #1058979 in Books
- Brand: Brand: Oxford University Press, USA
- Published on: 2012-04-16
- Original language: English
- Number of items: 1
- Dimensions: 6.10" h x .80" w x 9.10" l, .90 pounds
- Binding: Paperback
- 276 pages
- Used Book in Good Condition
Review
"In an earlier study, Weinstein offered the lapidary observation that Faulker 'was hurt into greatness.' Becoming Faulkner elaborates powerfully, and often brilliantly, on that claim...Along the way we are treated to breathtaking flashes of insight." --The Southern Register
"Philip Weinstein... has written a deeply felt, spellbinding, lyrically written tale of Faulkner's art and life, how each bred and interpenetrated the other, a dynamic dialectic of doom and hope, sex and sensibility, Southern myth and personal agonies." -- Providence Journal
"Becoming Faulkner gives Faulkner's readers a powerfully original account of how the author's tortured but fiercely guarded personal life informed his creative one. Weinstein brilliantly renders Faulkner's struggles with unconquerable difficulties-family disasters and doomed loves, the maelstrom of Southern racial conflict, flights toward self-destruction, the intolerability of success-to provide an unprecedented and invaluable affective life of the writer."-John Matthews, Boston University
"Intricately weaving together the intense struggles that Faulkner confronted in a life fraught with personal and cultural conflicts with the works of genius he produced both out of, and in the face of, those conflicts, Becoming Faulkner is brave, bold, and brilliant. Weinstein's unorthodox approach to Faulkner's life and art delivers a stunningly original grasp of both. A landmark book in Faulkner Studies."-Carolyn Porter, University of California, Berkeley
"Faulkner has a reputation of being a writer difficult to read and understand, yet in this wonderfully illuminating book, Philip Weinstein shows us a way in. By revealing how Faulkner's writing is a uniquely faithful rendering of human life as it is actually lived rather than as it is usually written about, Weinstein explains why Faulkner-a man of terrifying openness-invented a whole new way of writing to capture trouble as it is being experienced, before we can grasp its significance. Seen from this perspective, Faulkner's novels take on sudden clarity. Everyone who reads fiction, as well as all Faulkner lovers, will not want to miss this remarkable book."-Carol Gilligan, author of In a Different Voice and Kyra
"Weinstein acknowledges that although Faulkner would have protested this glimpse into his tormented private world, he also would have recognized the portrait as true. What more can one ask of a biographer? This rich work will be well received by Faulknerian students and scholars. Highly recommended."-Library Journal
"At a time when over-stuffed biographies and specialist criticism have left our major literary figures more dissected than understood, Weinstein gives us his most profound, ambitious, and loving work, a book that captures the Faulkner that matters-the mess of the life caught up inextricably with the power of his novels. Whether you've read Faulkner, or studied him, or simply always wanted to grasp his importance to American literature, Becoming Faulkner offers as rich and pleasurable a journey into his great achievements as you'll ever find."-Adam Haslett, author of You Are Not a Stranger Here and Union Atlantic
"Writing," says Weinstein, near the end of this thoughtful book, "was how Faulkner reckoned with what had happened to him in life." He experienced as drama the endless contradictions and contrarieties that merged in his consciousness, translating them into prose that outlasted him. The task of making fiction was inextricably linked with the process of "becoming Faulkner"; serious readers of Faulkner will be grateful to Weinstein for what he tells us about this strange, often painful, process." --American Scholar
"Becoming Faulkner delivers what we all want but so seldom get from a literary biography: genuine insight into how its subject's life engendered great work. It is critically persuasive, concisely informative, admirable in its balancing of sympathy and judgment, and thoroughly enjoyable to read." --Jonathan Franzen, author of Freedom
About the Author
Philip Weinstein is Alexander Griswold Cummins Professor of English at Swarthmore College.
Most helpful customer reviews
11 of 11 people found the following review helpful.
One of the Best Books About Faulkner
By Brian Cleveland
I have read and re-read a great deal of Faulkner over the years, including several biographies and studies. This volume is truly insightful and inspiring. So much literary criticism is self-serving and over-reaching, but in this you are presented with ideas that I think even Bill himself would approve of: a must for any Faulkner student.
11 of 11 people found the following review helpful.
A brilliant literary study
By Jared Smith
This is one of the best books I have read not just on Faulkner's work, but on the work of any writer. It needs to go on the very short list of "must reads" for literary studies. I wish more academics and authors in general would approach artists like this.
8 of 8 people found the following review helpful.
A Faulkner Biography to Get Lost In
By J. T. Cox
I am by no means an accomplished literary scholar, but having written my master's thesis on Faulkner years ago, I'm not exactly a stranger either to Weinstein's subject or the discipline from which it emerges. I won't trouble the reader by breaking down the entire text in this venue, but I do want to say that I think Philip Weinstein has hit the proverbial nail on the head with this biography. He has distilled the essence of Faulkner down to the artist's experience and understanding of time, specifically that each of us is never prepared for the unforeseen calamities that suddenly befall us during the course of our lives, and that it is retrospect that gives us a sense of continuity and identity. In other words, we become ourselves in the past tense only, never or rarely in the present moment, especially when those moments are visited upon us as challenges and difficulties with all their attendant murkiness. When Faulkner states that "the past is never dead; it's not even past," it becomes more than an eccentric line composed by a writer enamored with the history of his family and region when viewed through the prism of Weinstein's analysis. Once we understand that our very identities are constructed from a glance cast backward across our lived experience -- providing we are inclined to accept such a view -- we understand how, indeed, the past can never be dead.
The book covers through five chapters key events/issues in the subject's life that Weinstein interprets as being critical junctures for Faulkner, and together with each of these events Weinstein weaves together both the details of an artist's life and brief, erudite discussions of the literature that emerged from his lived experience. There is nothing taxing about Weinstein's biography. His prose is well-crafted and his scholarship first-rate. What is absolutely amazing about this book is how Weinstein manages to get so much into so little space (a mere 237 pages of text) and in such a way that the reader can become lost in Faulkner's world without being buried alive in it.
While Joseph Blotner's two-volume work will remain the bible of Faulkner biographies because of its exhaustive treatment, I think that Philip Weinstein's will become the definitive synthesis of Faulkner's life and work: a truly impressive and much-appreciated achievement.
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